Shaul Schwarz was among the first photographers from outside Mexico to focus on covering the drug wars that have turned Juárez into one of the world’s most dangerous cities. Mr. Schwarz worked in Juárez from 2007 to 2009, and decided to make a feature documentary film about narco-culture in general and narcocorridos specifically. The violent lyrics, similar to gangster rap in the United States, here are juxtaposed with images of actual violence. It’s easy to caricature the culture, which most people enjoy for the music and not the violent imagery, similarly to what happened with hip-hop in the 1990′s in the US, which also faced spiralling drug-related violence. That said, the issues faced by the border towns sandwiched between the USA’s insatiable appetite for illegal drugs and Mexican cartels’ willingness to do whatever it takes to maintain their position, are deadly serious. The challenge this film faces is to get people’s attention in the United States without making a one-dimensional cartoon out of the culture.
The great Boris Karloff was born in England, found fame as Frankenstein’s monster (and also played Frankenstein, thank you, readers, for the correction) in Hollywood, and finished his career in Mexico (awesome example at the end of this post). Somewhere along the way he developed a strong affinity for Mexican food, as the article above, found on BadassDigest, explains, along with telling its readers that guac is an “avocado-based sauce”. His recipe for guacamole has an English twist, with a dash of sherry thrown in along with more common ingredients:
Last night, KCRW dropped a party on Hollywood celebrating the seminal New York graffiti flick Style Wars, working up to a screening of a restored print of the film with live art by L.A.’s own treacherous three, D-CYPHER, MEAR, and RISK, live b-boying by a crew from Long Beach, t-shirt printing from Hit ‘n Run (choice bits taken from the film for prints included “Just a Kid Growing Up” and “Art Is Not a Crime”) and a panel discussion between the film’s co-director, Henry Chalfaunt, actress Catherine Keener (who helped score the funding for the movie’s restoration), and SKEME, whose scenes between him and his mother in Style Wars are as legendary as his bombs. It was a nice night capped off by a big screen showing of the movie, which is as vital as ever even 30 years after it first came out. Maybe even more so now that it look so good and won’t just be available on some shitty VHS tape your brother’s friend’s cousin has to lend you. Check out some shots of the night, held at Oscars Outdoors, which offers film screenings every week. (Born in East L.A. on August 16!).
We have a winner for two tickets to this Sunday’s screening and discussion of the seminal 1983 graffiti flick “Style Wars,” going down through KCRW in Hollywood. We got a lot of great, insightful entries about how the film had changed people’s lives and perspectives stuff. But in the end, the prize goes to lucky reader The Krizzo for mastand-bys, complete with DJing by Anthony Valadez, t-shirt printing by Hit n Run, dance, food trucks, and a talk by the film’s director. Come check it out, Sunday at 6:00 at Oscars Outdoors. Check out full details online and see you Sunday!
KCRW hosted a listening party with electronic artist Pretty Lights aka Derek Vincent Smith to celebrate the release of his new album “A Color Map of The Sun” at the exclusive Sonos Studio located in Los Angeles.
The arts community came out to support artist TEMPT ONE, who was stricken with ALS and now uses his eyes to create art using a device called the EyeWriter. This inspiring story is told in the film “Getting Up: The Tempt One Story” which was screened at the event.
0S & 1S (pronounced ”Zeros and Ones”) is a visually audacious comedy about our obsession and over-reliance on the very screen you’re looking at now. Spinning the LA sounds of No Age, Ariel Pink, Wavves, Mika Miko, Abe Vigoda and more, Eugene Kotlyarenko’s savvy directorial debut makes its Los Angeles theatrical premiere September 20th at the Los Feliz 3, 9:40 PM.
Los Angeles artist Loren Kantor works in the medium of woodcut prints. One of his most popular series to date is the figures of classic cinema that you see above and below. Visit his website for many more.