Ya’ Heard Show‘s  first Episode of the Year is up. Check it on out HERE.

About Ya’ Heard Show Podcast:

YA’ HEARD brought to you by your hosts, kaNO, Ritzy Periwinkle, Shane Jessup, and Sket One, YA’ HEARD is a no-holds-barred look into the current state of the arts, the community, and all things ‘From the Street Up’. Covering a wide range of topics, YA’ HEARD will touch on the business side of art, politicin’, beef, style, technique, tools, exhibits, current events, designer toys, music, conventions, and much more in the manner you’d only expect from this group of artists that are living the life every day. Future episodes promise special guests ranging from fellow artists and designers to tastemakers and the usual haters.

SAGE VAUGHN | LAST YEAR

January 13 – January 29, 2012
Opening reception: Friday, January 13, 2012 | 8:00 -11:00pm

Known Gallery is excited to start off this year with “Last Year”, a show of new works by Sage Vaughn and a very special guest. This will be Sage’s first solo exhibition at Known Gallery, featuring new large-scale woven editions based on paintings and collages from his ongoing ENVELOPE SERIES. Contrasting the nonchalant qualities of collage making and the painstaking exactness of woven tapestry, this work becomes part of an experiment in making art that can exist both off and outside the gallery walls.

Sage has been working with collage for the past four years and attributes the passion to friends Jason Dill and Dash Snow who introduced him to the medium. “I enjoy sorting through vintage magazines and culling imagery to illustrate themes in my work. The printing processes used back then are so pleasing to the eye. Everything was hand created. No Photoshop.”

Selected works from the ENVELOPE SERIES will also be on display. The series, consisting of both small paintings as well as cut and reassembled imagery on manila envelopes, serves as an intimate window to the artist’s creative process. “They’ve taken the place of sketchbooks in my practice. I have them all over the studio so I can constantly make things while I make things.” Numbering in the hundreds, Sage has been working on the ENVELOPE SERIES since 2007.

When asked about the inspiration behind this unique medium of woven artwork, Sage explains, “I love looking at tapestries, rugs and textiles. The richness of the color and the texture are so intricate. I would spend all my money on them if I could.” Sage further discusses “When I was a child, my grandmother told me a story about when she was a young recently divorced woman; she and her sister were on a quest, driving through New Mexico, trying to purchase a genuine Navajo rug from an actual Navajo Indian. She ended up at a general store, which sold Native American crafts.” When his grandmother asked the owner how to purchase goods directly from the Navajo Indians, the disappointing response was, “The way it works is you buy it from us, not from the Navajo.” “It took her a week of driving down endless desert roads until she finally met an old Indian woman who sold her a beautiful piece that she still has in her home out in the Valley.”

LBJ holding a toddler Indian, Dr. Phil as a spiritual guru and a Native Indian teaching a Caucasian boy how to take aim with a bow and arrow are just some examples of Sage’s social commentary via satire. “I think most good art has an element of humor within it to help us laugh at the human condition.” Imagery of foxes, birds, and Indians also echo Sage’s obsession with the line between wilderness and civilization.

Sage Vaughn (b. 1976 Jackson, OR) lives and works in Los Angeles. For the past seven years, Sage’s work has been exhibited at fine art galleries around the world including Lazarides/London, Galerie Bertrand & Gruner/Geneva, Art Agents Gallery/Hamburg, The Dactyl Foundation for the Arts and Humanities/New York, Corey Helford/Culver City, Richard Heller/Los Angeles and FIFTY24SF/San Francisco.

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
310-860-6263

We attended the opening reception for the Artist’s Choice show presented by Jack Rudy’s Koolsville. The family and I stopped by before we went out to dinner. Great art, lots of people and a lot of nice cars. Check it out if you have a chance @ Good Time Charlie’s Tattooland 2641 W Lincoln Ave Anaheim, CA 92801

HUF will be hosting an opening reception for the release of the upcoming HUF x Haroshi x DLX collaboration on Saturday, Jan. 7, 2012, from 7PM – 11PM. The event will include an exhibition of six original works by Haroshi created for the collaboration as well as a live performance by Tommy Guerrero, and all collaboration product will be directly available for purchase. Admission is free and all RSVPs can be directed to haroshi_rsvp@hufworldwide.com. For more information see the flyer below. See you there!

Check out the teaser videos:

A stop motion video of Mike Giant painting on Haight Street in 2011. Over the course of the video he talks about his career as a writer, from his initial inspiration to where he is today, 22 years later.

Click to view full panoramic image. For more photos, visit cyan79 on Flickr.

Click to view full panoramic image. For more photos, visit cyan79 on Flickr.

To view more photos of this event, visit Erwin Recinos on Flickr. To view all the art, please visit Gallery1988.com.

Check out some work from Greg Lamarche “I Can See For Miles” @ Known Gallery. The show is only up for about another week – so check it out. Photos by cyan79.

Greg Lamarche – I Can See For Miles
September 17 – October 8, 2011

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036

Like Father, Like Son

 
Eriberto and Estevan Oriol
Opening Reception : Saturday, October 1, 2011, 6:00 – 9pm

You must RSVP to rsvp at carmichaelgallery dot com

Carmichael Gallery
5795 Washington Blvd.
Culver City, CA 90232
USA

Carmichael Gallery is pleased to announce Like Father, Like Son, a retrospective survey of works by renowned Chicano, Los Angeles-based father and son photographers, Eriberto and Estevan Oriol. The exhibition will comprise twenty-five limited edition prints from each photographer, including black and white, color, silver gelatin and digital c-prints.

Whilst often distinguished by a complex melange of memory, emotion and intimacy that can manifest itself in equally terrifying and wonderful forms, the relationship between a parent and his or her child is a particularly unique human exchange and can hardly be defined in generalized terms. For Eriberto and Estevan Oriol, who are often cited as two of the most important contemporary documentarians of urban, hip hop, lowrider and Latino culture, the deep familial tie they share extends into and only serves to empower the unique nature of their professional relationship and the intense puissance of their work. Whether viewed together or apart, the Oriols’ photography presents the multitudinous contours of Los Angeles and urban life through a piercing, visionary lens that lends a fascinating, almost hyperreal layer to the earthy, often confrontational authenticity of their subject matter.

Perhaps one of the most interesting aspects of the Oriols’ oeuvre to date when considered as a whole, as in Like Father, Like Son, is its ability to complement and contrast the talents and purports of each photographer. Both are long-time observers of city life and the experiences of its inhabitants; Eriberto, whose understanding of shape, line and shadow are key features of works such as LA Financial District, 2011, The Thinker, 1974, and Need A Helping Hand, 2000, which define with gut-wrenching elegance the struggle and strength of the poor and homeless in Downtown Los Angeles and San Diego, form an effective and deeply affecting concordance with Estevan’s depictions of these communities, who, in works such as Skid Row Body Bag, 2009, Chestnut Family, 1998, and Pepper’s Shopping Cart, 2011, combines brutal honesty with rich sagacity to uncover a subtle, fleeting beauty that might otherwise have disappeared unnoticed.

Other series represented in Like Father, Like Son include the photographers’ varied and illuminating portrayals of LA’s lowrider culture, dramatized to distinction in Eriberto’s color photograph Las Vegas Lifestyle Car , 2004, and the city’s gang life, exposed in a singularly vulnerable light in Estevan’s Bullet Holes and Stab Wounds, 2002, and Shaving the Dome, 2008. In addition to these and Estevan’s portraits of celebrities, including Dr. Dre, Ice Cube and Dennis Hopper, both Oriols will present a selection of their exquisite, oft-touted photographs of LA women, from Eriberto’s Traffic Jam 110 FWY, 2011, to Estevan’s Erlinda, 2003.

There will be an opening reception for Like Father, Like Son on Saturday, October 1 from 6 to 9pm with both Eriberto and Estevan Oriol in attendance. The exhibition will run through October 29, 2011.

About the Artists:

Eriberto Oriol
Born in Indio, CA, Eriberto Oriol grew up in the San Diego neighborhood of Barrio Logan before relocating to Los Angeles, his home now for over three decades. In addition to expanding his internationally recognized portfolio of photographs of LA Latino street life, street art and graffiti, a talent he would later pass down to son Estevan, he and wife Angelica Gonzalez-Oriol are enthusiastic, proactive supporters of the local art scene, which led them to curate the first major exhibition of graffiti art in Los Angeles in 1989. In addition to the recognition the Oriols received from the Los Angeles City Council for the show’s contribution to the community and the praise from numerous media outlets, The Museum of Contemporary Art, Los Angeles acquired a featured artwork for its permanent collection.

Select galleries that have exhibited Eriberto’s work to date include Carmichael Gallery, Los Angeles, Chinese American Museum of Los Angeles, Crewest Gallery, Los Angeles and Anno Domini, San Jose, while commercial projects have ranged from work for the NBA, Nike, Vans and T Mobil to Jokerbrand, LA Metro, Altamont Apparel and Warner Bros. In addition to featuring in Los Angeles: Portrait of a City (Kevin Starr, David L. Ulin, Jim Heimann, TASCHEN Books, 2009), Eriberto and his work have been profiled in The Los Angeles Times, LA Weekly, Daily Telegraph, Downtown News – Los Angeles, Vogue Australia, Mass Appeal, tasj magazine, Swindle, Thrasher, Hypebeast, Rebel Ink, Juxtapoz, Oversight, Warp, Scratch, Rime, Fader Magazine, TCLY (thecitylovesyou.com), Format Magazine and Freshness Mag, amongst numerous other national and international print and online media outlets. He currently lives and works in Los Angeles.

Estevan Oriol
From hip-hop club bouncer to tour manager for Cypress Hill and House of Pain in the late 1980s and early 1990s to the internationally celebrated professional photographer, director and urban lifestyle entrepreneur he is recognized as today, Estevan Oriol’s talent, fame and success only continue to grow. 1992 saw the beginning of what quickly grew to be an influential relationship with best friend, fellow Soul Assassin associate and now world-famous tattoo artist, Mister Cartoon. Together, they created the increasingly lucrative and high-profile Joker Brand Clothing, just one of Estevan’s ventures in the clothing industry, which range from Not Guilty, produced with Everlast, and his solo line Scandalous to his eponymous line with Upper Playground. In 1995, however, Eriberto gave his son a camera, and what began as a means of capturing life on tour led to a career that has snapped up images of everyone from gang members and graffiti artists to hip hop stars and Hollywood celebrities.

Select galleries and institutions that have exhibited Estevan’s work include Rivera Gallery, Los Angeles, Carmichael Gallery, Los Angeles, FIFTY24SF, San Francisco, FIFTY24PDX, Portland, Lab 101, Los Angeles and The Museum of Contemporary Art, Los Angeles, in whose highly acclaimed, controversial blockbuster exhibition Art In The Streets his work contributed an integral depiction of Los Angeles’ part in the worldwide evolution of graffiti, street art, skater, tattoo and related countercultures. In 2009, Italian print house Drago published LA Woman, a 112 page, hardback book that celebrates a decade of Estevan’s provocative, sensitive and alluring documentation of the city’s less-photographed female population.

Highly sought-after for both high-profile commercial projects and private commissions, celebrities photographed by Estevan include Xzibit, 50 Cent, Kim Kardashian, Robert De Niro, Al Pacino, Dennis Hopper, Mena Suvari, Dr. Dre, Blink 182, Eminem, Adrien Brody, Forrest Whittaker and Juliette Lewis. In addition to shooting campaigns for companies such as Cadillac, Nike and Rockford Fosgate and directing new media projects for My Cadillac Stories, MTV and Apple Computer, he has designed album covers and/or directed music videos for artists such as Eminem, Cypress Hill, Blink 182, Snoop Dogg and Tech N9ne.

Estevan and his work have been profiled in Rolling Stone, Complex, FHM, GQ, Details, Vibe, The Fader, Mass Appeal, Hypebeast, Juxtapoz, High Snobiety, Daily du Jour, Fecal Face, Risen Magazine, Acclaim Magazine, tasj magazine and The Source, amongst numerous other national and international print and online media outlets. He currently lives and works in Los Angeles.

About Carmichael Gallery:
Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

For information on current, past and upcoming shows, visit www.carmichaelgallery.com For additional information and press materials on this show, please contact the gallery at art at carmichaelgallery dot com and +1 323 939 0600.

LTS / LAST 2 SERVE / LIFE OF KINGS

Click to embiggen. More photos on cyan79‘s flickr.